{"title":"Alternative \/ Indie","description":"","products":[{"product_id":"city-and-colour-guide-me-back-home","title":"City And Colour - Guide Me Back Home","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eGuide Me Back Home was recorded on a recent Canadian tour where Dallas performed solo, going back to his roots and acoustically reworking favourite songs from throughout his catalogue for fans who have always wanted to hear this from him.\u003c\/p\u003e\n\u003cp\u003eThe quality of the live recording is exceptional and Dallas' vocal delivery really shines in the intimate live setting in a unique way to the original studio recordings. They were smaller, intimate shows and really special performances for the fans.\u003c\/p\u003e\n\u003cp\u003e20 tracks from various shows across the tour form this album, which will be released digitally, on CD, and across a 3-LP set.\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e1. 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Paradise (Live in Fredricton, NB May 8th, 2017)\u003cbr\u003e15. Against the Grain (Live in Vernon, BC April 13th, 2017)\u003cbr\u003e16. Comin' Home (Live in Pictou, NS May 6th, 2017)\u003cbr\u003e17. Sensible Heart (Live in St. John's, NL May 14th, 2017)\u003cbr\u003e18. Waiting... (Live in Pictou, NS May 6th, 2017)\u003cbr\u003e19. The Girl (Live in Halifax, NS May 10th, 2017)\u003cbr\u003e20. 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The Gold Certified vinyl has long been out of print and this repress showcases newly mastered tracks across a 2x12” package, released on July 9 via Dine Alone Records.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003ePRODUCT DETAILS:\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eNewly mastered for vinyl, 2x12” black vinyl, gatefold jacket with printed inner sleeves.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eTRACK LISTING\u003cbr data-mce-fragment=\"1\"\u003e1. ...Off By Heart\u003cbr data-mce-fragment=\"1\"\u003e2. Like Knives\u003cbr data-mce-fragment=\"1\"\u003e3. Hello, I’m in Delaware\u003cbr data-mce-fragment=\"1\"\u003e4. Save Your Scissors\u003cbr data-mce-fragment=\"1\"\u003e5. In The Water I Am Beautiful 6. Day Old Hate\u003cbr data-mce-fragment=\"1\"\u003e7. Sam Malone\u003cbr data-mce-fragment=\"1\"\u003e8. Comin’ Home\u003cbr data-mce-fragment=\"1\"\u003e9. Casey’s Song\u003cbr data-mce-fragment=\"1\"\u003e10. 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Co-produced by Dan Achen (Junkhouse ) and recorded at Catherine North Studio in Hamilton, 'Bring Me Your Love' delivers Green's signature delicate vocals accompanying another set of candid musings, which continue to articulate his engaging perspective on love and life. \u003c\/span\u003e\u003c\/p\u003e\r\u003cp\u003e\u003cspan\u003eA throwback to the days when an album's thrills and beauty were found not just in exceptional songs and musicianship, but also in its blemishes and simplicity, the instruments and vocals for 'Bring Me Your Love' were carefully recorded live off the floor, giving the songs depth and intimacy, and eschewing the cut-and-paste approach that is so common in today's recordings. 'Bring Me Your Love' features Canadian Music Hall of Famer Gordon Downie of The Tragically Hip, who adds his distinctive vocals to the track 'Sleeping Sickness', and also includes appearances by friends and labelmates Dan Romano and Spencer Burton (Attack in Black).\u003c\/span\u003e\u003c\/p\u003e","brand":"DA","offers":[{"title":"Double Vinyl","offer_id":41637170282659,"sku":"DAV012","price":59.99,"currency_code":"AUD","in_stock":false},{"title":"CD","offer_id":11755107385380,"sku":"DA012","price":19.99,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0088\/1334\/6852\/products\/large.DzYQLAMUbur4g8vdET9c-Qzt362dD6NvP-i1iPaSjcg_f6305a0a-7355-4509-9d39-306c66b51d90.jpg?v=1776388889"},{"product_id":"modern-baseball-youre-gonna-miss-it-all","title":"Modern Baseball - You're Gonna Miss It All","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003ePhiladelphia's Modern Baseball are a uniquely contemporary band. 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As cathartic as ever, he duels between a soft croon and a haunting scream, confronting his demons on tracks like \"Stain\" echoing the tormented refrain, \"my heart still beats for nothing.\" And while most of the record is an intense and noisy onslaught, songs like \"Heaviside\" and \"Yellow Love\" act as armistices, each aching in reverb-drenched consonance.\u003c\/p\u003e\r\u003cp\u003e'Everybody is Going to Heaven' is a turning point for Citizen: once regarded as newcomers with undeniable potential, the band shows here that they have matured both abruptly and uniquely, with no end to their upward trajectory in sight.\u003c\/p\u003e\r\u003cmeta charset=\"utf-8\"\u003e1. Cement\u003cbr\u003e2. Dive Into My Sun\u003cbr\u003e3. Numb Yourself\u003cbr\u003e4. Heaviside\u003cbr\u003e5. My Favorite Color\u003cbr\u003e6. Weave Me (Into Yr Sin)\u003cbr\u003e7. Stain\u003cbr\u003e8. Ten\u003cbr\u003e9. Yellow Love\u003cbr\u003e10. 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It is the follow up of the critically acclaimed 'The Hurry and The Harm,' and his recent collaboration with Alecia Moore (P!nk) 'rose ave.' by YOU+ME.\u003c\/p\u003e\n\u003cp\u003e\"There's a line that I'm trying to find, between the water and the open sky,\" sings Dallas Green on \"Friends,\" the penultimate track off of his fifth release as City and Colour, 'If I Should Go Before You.' For someone like Green, it's hard to imagine that there's much left to search for he's traversed the globe on tour, released numerous albums (one most recently as YOU+ME with Alecia Moore, aka P!nk) and collected scores of accolades. Though Green is a musician, he doesn't make a show of things: that's the songs' job. Thus he's done this all quietly, intentionally, still looking for the next answer or dog-eared chapter each record holds. And this time, on 'If I Should Go Before You,' he once again uncovered something new: a certain kind of family in his bandmates.\u003c\/p\u003e\n\u003cp\u003e\"It's been a very special two years for me,\" says Green, about the period since the release of 2013's The Hurry and the Harm, which has seen him touring with the consistent ensemble of Dante Schwebel (guitar: Dan Auerbach, Rumba Shaker), Doug MacGregor (drums: Constantines), Jack Lawrence (bass: The Raconteurs, Dead Weather) and multi-instrumentalist Matt Kelly. \"They inspired me to want to create new music, just to create it with them I don't think I wrote these songs for the band, per se, but I certainly wrote them because of the band.\"\u003c\/p\u003e\n\u003cp\u003eGreen had always been an introspective, solitary writer, demoing songs in his basement, working up every instrumental part by himself. But he considers If I Should Go Before You' to be a band record, where the input of these trusted comrades was of the up most importance. Even more pivotal was trying to capture the essence of their live show symbiosis in the studio; which comes through with an undeniable force. For a project that was very much about the inner world of Green, these relationships have morphed City and Colour into something with more emotive power than ever before: the layers go beyond just music and lyrics, into the people creating the songs themselves.\u003c\/p\u003e\n\u003cp\u003e\"Anybody who has seen us play will understand that this is the best representation of what we do live that we have ever recorded,\" says Green. \"I was so excited about being able to make and record an album with these guys that it just flowed. I felt so confident about their abilities to make all of my ideas come true.\" But there was one thing that Green did want to do himself this time: produce the record. He returned to Blackbird Studios in Nashville, where 'The Hurry And The Harm' was made, but decided to take the production reigns himself, with the help of friend Karl Bareham as his partner and engineer, along with the masterful mixing skills of Jaquire King (Dawes, Kings of Leon, Tom Waits). Everyone who had a hand in the making of the record was or became part of the City and Colour family. Green's songs have always had a striking, visceral feel that pumps through the veins like oxygen, and, this time, it became a sort of translatable DNA.\u003c\/p\u003e\n\u003cp\u003eAlong the way, Nashville has come to be a special refuge for Green it's a city he's gotten to know for several years now while not in his native Toronto, Canada, and he even recently purchased a home in the town. \"In Toronto, I think of what I have to do,\" he says. \"In Nashville, I think of everything I have done.\" Indeed, it's a perfect time to think of everything he has done - and If I Should Go Before You is a celebration\u003cbr\u003eof that. With instrumentation recorded live off the floor, it comprises every part of the person Green has become over the years: chugging ballads that tug at the gut, aching confessionals set to slicing guitars, little licks of pedal steel for his new southern-swept soul, moody distortion from punk rock roots. Though he's recorded in many incarnations, 'If I Should Go Before You' acts like a roadmap through all of them, showing that none of these were simply \"projects,\" but they were part of the same whole.\u003c\/p\u003e\n\u003cp\u003eThe album opens with the sweeping, \"Woman,\" a track that very well could be a surprise to those who might expect a simpler, acoustic-based entrance gate. At over nine minutes long, it's a sultry and dynamic ode to everlasting love expressed through a powerful, layered build of sounds and emotions like a complex sweep of watercolours percussive heartbeat, echoing riffs, Green's grounded yet ethereal falsetto. You can almost picture the stage lights spiral across a crowded auditorium; it moves with a life outside just the studio walls.\u003c\/p\u003e\n\u003cp\u003eRare does a record strike a perfect balance between the live sound and studio magic; but this is one of them, that captures the synchronicity of Green and the band at its best both at the controls and on stage, through songs like the deconstructed waltz of the title track, a devastating request to a cherished lover. \"It's about the idea of loving someone so much you want them to move on if you were to go, but loving them so much you wouldn't want to if they did,\" Green says. \"But, in my head, it also says, 'if I were to go, I give you this record to listen to.'\" It's a sentiment that expresses just how strongly he feels this album is a key to past, present and future. That's further evidenced in \"Friends, written as a heartfelt ode to his new musical family, set to a pedal steel that sounds like it's weathered too many winters, but finally feeling the melt; or the razor cuts of \"Wasted Love,\" where the confessions of a failed romance are echoed by licks of visceral guitar that plays in wordless response.\u003c\/p\u003e\n\u003cp\u003eOn 'If I Should Go Before You,' Green may have found one answer to what lies between the water and that open sky: it's the people we hold close, and the art born out of friendship. But he will always be searching; and thus, there will always be more songs. Though this time, when he's ready to share them again, he'll know exactly who to turn to.\u003c\/p\u003e\n\u003cp\u003eAs he sings on \"Northern Blues;\" \"I've got too much in front of me. 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During that time, the quintet vocalist Scott Phillips, guitarists Michael Bingham and Anthony Anzaldo, bassist Mike Fenton, and drummer James Rogers pieced together 15 songs in the studio, with only 9 making the final cut.\u003c\/p\u003e\n\u003cp\u003e\"We spent less time practicing songs over and over and more time just forming rough skeletons so when we went into the studio we had a ton of material to play with.\"\u003c\/p\u003e\n\u003cp\u003eThe album was recorded fully analog with instrumentation produced, engineered, and mixed by Jack Shirley (Deafheaven, Comadre, Punch) at The Atomic Garden in Palo Alto, California and vocals with RJ Phillips at Grizzley Studios in Petaluma, California.\u003c\/p\u003e\n\u003cp\u003eThe band likened making the record to building a house: everyone has a different preconceived notion of what each room in the house should be. During the recording process tensions built between members, as each had a different product in mind down to producer\/engineer Jack Shirley. Just when it seemed as though things were about to break, the band was able to put aside their differences and realize that the record was \"a house we're all living in.\"\u003c\/p\u003e\n\u003cp\u003eThe end result required Phillips to venture to a different studio with a new engineer to track the vocals, without the input of those he felt were previously clouding his vision. This separation of the various parties allowed everyone full creative input and the outcome turned out better than any of them could have possibly imagined.\u003c\/p\u003e\n\u003cp\u003eThe tracks on 'Fear of Life' were influenced by the likes of Oasis, Spaceman 3, and Explosions in the Sky and the songs two of which clock in at over eight minutes build slowly and are rife with texture and an emphasis on heavy guitars. 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Recorded in Nashville \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003ewith GRAMMY\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e-\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003ewinning producer Paul Mabury, the collection is bold and expansive, \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003edelivering on the promise of AHI’s first two records with a captivati\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eng, immersive \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003esound that showcases the raw power of his gravel\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e-\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eon\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e-\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003esilk vocals like never before. 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Written and recorded over the last year, the album served as an alimento for the soul, a motivation to persevere through the pandemic, as Cimafunk spent countless hours studying decades of musical influences to help understand who he is musically and culturally, and thus, where he wanted this album to take him.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAs innovative funk forefather George Clinton (Parliament - Funkadelic), who sings alongside Cimafunk on the opening track \"Funk Aspirin\", says\u003ci data-mce-fragment=\"1\"\u003e: “\u003c\/i\u003e\u003ci data-mce-fragment=\"1\"\u003eCimafunk\u003c\/i\u003e\u003ci data-mce-fragment=\"1\"\u003e takes it back there while keeping it in the now. It’s what we do, always reinventing the Funk to keep it fresh.”\u003c\/i\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eTRACKLIST:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"track\"\u003e1. Funk Aspirin (w\/ George Clinton)\u003c\/div\u003e\n\u003cdiv class=\"track\"\u003e2. Rómpelo (feat. Lupe Fiasco)\u003c\/div\u003e\n\u003cdiv class=\"track\"\u003e3. Te Quema La Bemba\u003c\/div\u003e\n\u003cdiv class=\"track\"\u003e4. Caramelo\u003c\/div\u003e\n\u003cdiv class=\"track\"\u003e5. Esto Es Cuba\u003c\/div\u003e\n\u003cdiv class=\"track\"\u003e6. La Noche (w\/ Stylo G and Chocquibtown)\u003c\/div\u003e\n\u003cdiv class=\"track\"\u003e7. Salvaje (feat. Chucho Valdés and Lester Snell)\u003c\/div\u003e\n\u003cdiv class=\"track\"\u003e8. El Reparto (feat. El Micha)\u003c\/div\u003e\n\u003cdiv class=\"track\"\u003e9. Estoy Pa' Eso\u003c\/div\u003e\n\u003cdiv class=\"track\"\u003e10. Sal De Lo Malo\u003c\/div\u003e\n\u003cdiv class=\"track\"\u003e11. Le Era Del Sazón (w\/ CeeLo Green)\u003c\/div\u003e\n\u003cdiv class=\"track\"\u003e12. No Me Alcanza (feat. Los Papines)\u003c\/div\u003e\n\u003cdiv class=\"track\"\u003e13. Como Te Descargo\u003c\/div\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e","brand":"TT","offers":[{"title":"Vinyl","offer_id":41475697672355,"sku":"CIMA01","price":34.99,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0088\/1334\/6852\/products\/blackLPCimafunk_Vinyl-Record-and-Cover-Presentation-Mock-up.jpg?v=1631690403"},{"product_id":"pup-the-unraveling-of-puptheband","title":"PUP - THE UNRAVELING OF PUPTHEBAND","description":"\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"s1\"\u003e\u003ci\u003eTHE UNRAVELING OF PUPTHEBAND\u003c\/i\u003e is not a departure from what got PUP here, really; for all the new breadth, this is still very much the fourth album by the band that has spun songs about The Bad Decisions Lifestyle into scrappy art. The hooks are as bright and barbed as always; the poison threaded through every song is no less potent. But a fourth album should be different from the first, or even the third, and \u003ci\u003eTHE UNRAVELING\u003c\/i\u003e is.\u003c\/span\u003e\u003cspan class=\"s2\"\u003e \u003c\/span\u003e\u003cspan class=\"s1\"\u003e\u003ci\u003eTHE UNRAVELING OF PUPTHEBAND\u003c\/i\u003e is that next step—not towards perfection, or even towards some more perfect version of writing songs about fucking up, but just in the direction of its choice. It’s a product of this endless awful broader moment, but also very much a step forward into that uncertainty. “The whole album process really brought us closer together, even as things unraveled,” Babcock says. “It’s hands down my favorite PUP record, and I don’t think it could’ve been made under any other circumstances.”\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"NRP","offers":[{"title":"VINYL (Black with Pink \u0026 Violet Splatter)","offer_id":42316803211495,"sku":"RISE4981","price":39.99,"currency_code":"AUD","in_stock":true},{"title":"CD","offer_id":42316803244263,"sku":"CVCD120","price":19.99,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0088\/1334\/6852\/files\/PUP_-_The_Unraveling_of_PUPTHEBAND_-_Cover_Art.webp?v=1719473233"},{"product_id":"fanny-lumsden-fallow-variations","title":"Fanny Lumsden - Fallow \u0026 Variations","description":"\u003cp\u003eIt was March 13, 2020, when Fanny Lumsden’s third album \u003cem\u003efallow \u003c\/em\u003emanaged to make its way out into the world - and what a wild ride it’s been prior to and following its release.  Recorded throughout the blistering 2019\/’20 Summer amidst the disruption of the devasting bushfires, come the time of its release the day the Music Industry \u0026amp; the world had come to a standstill (with no thanks to Covid), and faced with the uncertainties of what lay ahead, \u003cem\u003efallow \u003c\/em\u003ewent on to forge its own path.   \u003c\/p\u003e\n\u003cp\u003eThe stunning chart-topping album was embraced by the public, supportive radio \u0026amp; critics, winning Fanny many accolades (\u003cstrong\u003eARIA Award, 5 x Golden Guitars, AIR Country Album of the Year\u003c\/strong\u003e) and shooting the singer-songwriter to the forefront of the Australian Country music scene. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFast track two years to the day since \u003cem\u003efallow\u003c\/em\u003e’s release, \u003cu\u003eMarch 11, 2022\u003c\/u\u003e will see Fanny Lumsden release \u003cem\u003efallow \u003c\/em\u003ePart 2, in \u003cem\u003efallow \u0026amp; Variations.  \u003c\/em\u003e\u003c\/strong\u003eFeaturing reinterpretations of the songs, such as singles \u003cem\u003eThis Too Shall Pass, Dig, Fierce, These Days, Grown Ups, Tidy Town…\u003c\/em\u003e, \u003cem\u003efallow \u0026amp; Variations \u003c\/em\u003esaw Fanny, Dan Stanley Freeman and several guests head back into the studio, with Matt Fell back at the helm, to show another side to \u003cem\u003efallow.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eDeluxe 2LP, 180 gram vinyl presented in a stunning gatefold album sleeve, with double sided insert.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eTracklisting\u003c\/span\u003e\u003cbr\u003eLP - SIDE A\u003cbr\u003eMountain Song\u003cbr\u003eThis Too Shall Pass\u003cbr\u003ePeed in the Pool\u003cbr\u003eGrown Ups\u003cbr\u003eFierce\u003cbr\u003eTidy Town\u003c\/p\u003e\n\u003cp\u003eLP - SIDE B\u003cbr\u003eFallow ft. 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Thomas Lumsden (Variation)\u003cbr\u003eWishing (Variation)\u003cbr\u003eThese Days (Variation)\u003cbr\u003eDig (Variation)\u003cbr\u003eBlack and White (Variation)\u003cbr\u003eMountain Song Reprise\u003c\/p\u003e","brand":"Civilians","offers":[{"title":"Default Title","offer_id":42317360529639,"sku":"CVLP094V","price":44.99,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0088\/1334\/6852\/files\/Fanny-Lumsden_Fallow-_-Variations_1500px.jpg?v=1741756336"},{"product_id":"emma-donovan-the-putbacks-under-these-streets","title":"Emma Donovan \u0026 The Putbacks - Under These Streets","description":"\u003cp data-mce-fragment=\"1\"\u003eEmma Donovan \u0026amp; The Putbacks return with their new album Under These Streets. 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It might be your best friend, it might be your blood brother or your dog. The song is dedicated to those you consider your family, whatever that looks like for you.” \u003cbr\u003e\u003cbr\u003eThe words This Is What Happened flash across the screen in the video and have come to serve as the band’s motto as they reckon with the events of the last few years—a band at its peak of creative power attempting to decipher the turbulent world around us, with Haines positioned like a lightning rod in the midst of it, emerging with a fresh new album that sounds like essential Metric. \u003cbr\u003e\u003cbr\u003eMetric are a critically-acclaimed Toronto rock band consisting of Emily Haines, James Shaw, Joshua Winstead and Joules Scott Key. Their latest album Art of Doubt was released in 2018 to praise from NPR Music, New York Times, Rolling Stone and more.\u003c\/p\u003e\n\u003cp\u003eTracklist\u003cbr\u003e1. Doomscroller\u003cbr\u003e2. All Comes Crashing\u003cbr\u003e3. 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During my stay I realized that the town used to be named Chicamacomico until the locals changed it in the name of ease and progress. In that moment, I knew I had the name of my record. We enlisted Brad Cook (Bon Iver, Nathaniel Ratliffe, Waxahatchee) to produce the record and traveled to Sonic Ranch, a world-renowned recording complex tucked in the middle of a 1,700-acre pecan orchard, in the Texas border town of Tornillo. Over the course of ten days, we watched these songs go from simple folk ruminations into fully formed band arrangements. In my sixteen-year career I have never been prouder of a set of songs, lyrically or stylistically. The songs have weight, but they aren’t weighed down. It’s a sad record, that makes you feel good. It's a culmination of nearly two decades of work. Chicamacomico sounds like nothing we've ever done yet it sits comfortably amongst the rest of our catalog. My records are chronological observations and I feel like this record perfectly represents the highs and lows of the last few years. \u003cbr\u003e\u003cbr\u003eThemes: Loss, Death, Darkness, Suicide, Divorce, Losing A Child, Losing A Parent, Losing A Spouse, Addiction, Recovery\"\u003cbr\u003e\u003c\/p\u003e","brand":"TT","offers":[{"title":"Vinyl","offer_id":43688553382119,"sku":"LSR0016EXC","price":29.99,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0088\/1334\/6852\/products\/AmericanAquarium-ChicamacomicoLP.png?v=1680147760"},{"product_id":"katie-dey-mydata","title":"Katie Dey - mydata","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIt is hard to imagine a more timely album than ‘mydata,’ the fourth solo release from the Melbourne-based pop artist Katie Dey. 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These are songs that understand that love is the thing that happens when something starts to break just the right way, like a favorite hair tie stretched a little too far. \"If I could be a lightbulb,” Dey lilts on the album’s metamorphical opener, “I'd explode the moment you install it.\"\u003c\/p\u003e","brand":"RFC","offers":[{"title":"Orange Vinyl (Limited to 500)","offer_id":43703342956775,"sku":"RFC213lp","price":54.99,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0088\/1334\/6852\/products\/v600_600.jpg?v=1718342598"},{"product_id":"makthaverskan-fsr-allting","title":"Makthaverskan - För Allting","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"product_info\" data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eMakthaverskan defies traditional genre definition. 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It’s a record you can fall into, a collection of music that’s unafraid to venture into emotion, exploring the gaping distance that develops in some relationships, the constant confusion that accompanies self-discovery, and the darkness that accompanies abandonment.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eNothing is said outright on Last Room. There’s no declaration of material certainty that allows you to fully discover every secret or moment of meaning on this recording, but the duo comprised of Jarett Denner and Dan Poppa intended it to be that way. They want you to step into their cavernous auditory journey, to lose yourself in a state of wandering as you find your own story, creating a personal narrative gleaned from their collection of mysteries.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eRecorded on a laptop in Jarett’s bedroom, the album comes with a discernible feeling of intimacy. Despite their close proximity to one another, Jarett and Dan chose to complete much of the album apart, exchanging ideas and finishing bits of music through email. They traded off responsibilities, one focusing on a song’s structure, while another considered the emotional details and coloring.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFormed while still in high school, waveform* was created out of the pair’s mutual appreciation for music. Over the last few years, waveform* has continued to grow, attributing an increasing interest in fans to an era dominated by Internet discovery and streaming. A sound comparable to Melania Kol, Alex G., Title Fight, Have a Nice Life, and Teen Suicide, the band has also performed live with Strange Ranger, Beach Bunny, Pince Daddy and the Hyena, and Lomelda. Their previous releases — Shooting Star and Library — were released in 2018 and 2019. 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