{"title":"ARTISTS A-E **","description":"","products":[{"product_id":"ceres","title":"Ceres - We Are A Team","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eDon't be shocked, but Ceres have made an album about love.\u003c\/p\u003e\n\u003cp\u003eGone is the dark night of the soul that propelled 2016's Drag It Down On You, replaced with a desire to spread positivity in the world via their third full-length, We Are a Team.\u003c\/p\u003e\n\u003cp\u003e\"That was the whole reason for this album to be,\" says frontman Tom Lanyon.\u003c\/p\u003e\n\u003cp\u003eYou can hear it from the first line of the record \"I'm gonna get happy\" to the swooning, string-laden closing track \"Something Good\" with its refrain, \"I think something good's gonna happen\".\u003c\/p\u003e\n\u003cp\u003e\"We Are A Team is not this dark, at the bottom of everything kind of record. It's a more uplifting thing.\"\u003c\/p\u003e\n\u003cp\u003eWith the exception of two songs Stay Awake and Collarbone, 2011 Lanyon wrote the album between February and September 2018, when Ceres gathered in a house in Apollo Bay with producer Tom Bromley (guitarist for UK outfit Los Campesinos!) and Grammy-nominated engineer Andrei Eremin (Chet Faker, Tash Sultana) to record We Are a Team.\u003c\/p\u003e\n\u003cp\u003eSetting up in a seven-bedroom house on an idyllic rural property without phone reception or internet, for 16 days they \"all completely lost [their] minds\".\u003c\/p\u003e\n\u003cp\u003e\"Everyone fought,\" chuckles Lanyon. \"But everyone was firing on such creativity and trying to do the right thing, and everyone has strong opinions. It was a struggle to get it done. But I think that means we care and we tried our hardest. I've never worked on anything as hard.\"\u003c\/p\u003e\n\u003cp\u003eTurn the volume up hear the wind howling through the house's rafters; at the end of Something Good you can detect the sound of it creaking. The fact that the house became a part of the recording tied in nicely with the album's themes, as the property belongs to the family of Lanyon's partner and was a favourite location of her late father Viv, the namesake of the album's lead single.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\"For us to make a record about that family's niece or daughter in that house is pretty incredible,\" says Lanyon.\u003cbr\u003e\u003cbr\u003eWhile the album might mark a shift thematically for Ceres which formed in 2012 and is completed by guitarist Sean Callanan, bassist Grant Young and drummer Frank Morda musically We Are a Team continues the band's ability to create stirring, life-affirming indie-rock anthems, albeit with a more nuanced, mature songwriting flare that reflects the roadwork and emotional growth of the past three years.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"tracklist-group\"\u003e1. Marriage\u003cbr\u003e2. Collarbone, 2011\u003cbr\u003e3. 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Rough Hands\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eVinyl Details:\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003e• 2x 12\" Black Vinyl\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003e• Gatefold Jacket\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003e• Printed Inner Sleeves\u003c\/span\u003e\u003c\/p\u003e","brand":"DA","offers":[{"title":"Double Black Vinyl","offer_id":31401417769017,"sku":"DAV062","price":59.99,"currency_code":"AUD","in_stock":false},{"title":"CD","offer_id":11755111415844,"sku":"DA081","price":17.99,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0088\/1334\/6852\/files\/download.png?v=1776388222"},{"product_id":"alexisonfire-old-crows-young-cardinals-201","title":"Alexisonfire - Old Crows \/ Young Cardinals","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003eFor the new album, the St. Catharines, Ontario-based rock group re-teamed with Julius \"Juice\" Butty (Protest the Hero, City and Colour) to produce. Even more intense and focused than before, the sound here is bracingly rhythmic, shot through with a do-or-die vocal urgency and sharp harmonies.\u003c\/p\u003e\n\u003cp\u003e\"Old Crows\/Young Cardinals was built on the foundation of Crisis, musically it moves at a feverish pace,\" explains singer Pettit. \"The lyrics span from metaphysical rebellion, to living as a nomad. This album is the culmination of the history of our band. Personally, I feel it is our best record yet, but you get to be the judge of that.\"\u003c\/p\u003e\n\u003cp\u003eThis is music for both sides of your brain. In your left ear, the poignant and melodic vocals of Dallas, injected with the devilishly sweet phrasings of the axe-wielding Wade, speak of impulse and introspection. In your right ear, George offers the testimony of the tortured soul, syncopated power-scream vocals that energize and counterpoint a couple of cartoon-character angels and devils sitting on your shoulders, offering 2 very different interpretations of the same musical message.\u003c\/p\u003e\n\u003cp\u003eAlexisonfire knows that the fans aren't stupid. The fans know the real deal when they see it, and in the case of AOF, they seem to have told 2 friends, who told 2 friends, and so on. During the year that followed the release of the self-titled 2002 debut album, the band has shot into the spotlight like a streaker at an All-Star game: Gold Record certification in Canada for both debut and sophomore albums; 5 videos reaching Heavy rotation on MuchMusic, 2 MMVA awards; New Group of the Year at the 2005 Junos; album releases and major tours in Japan, Australia and the UK. This may all sound like SOP for an up-and-coming rock ensemble, but this is a band that often describes its music as \"the sound of two Catholic high-school girls in mid-knife-fight\". This hasn't happened before. Nobody is more aware of this fact than the St. Catharines' natives. Taking it all in stride, they remain guile-less, affable, and capable of equal amounts of sarcasm and self-deprecation. And with the new album \"Crisis\", Alexisonfire have, dare we say it, matured.\u003c\/p\u003e\n\u003cp\u003eWith songs ranging in subject matter from the Blizzard of 1977 which paralyzed portions of the Niagara and Northern New York region, to disenfranchised steadfast employees, the album on a whole embodies a much darker theme. AOF attributes this to traveling around the world the last couple of years then coming back home and seeing things without rose coloured glasses.\u003c\/p\u003e\n\u003cp\u003eAs for writing the album, the process was much more \"rhythmically liberal\" than anything the band's ever worked on. There was no format, no formula. Alexisonfire wasn't concerned with making a \"hit\" or following any \"rules\", just creating songs that the greater sum of each part loved to play live. They wanted to create songs that were anthemic. They wanted to play songs that hit kids in the chest. This translated into the mindset the band took into the studio. AOF stripped everything down and learned to write and record a record that captures the essence of the band's live sound, without looping or overdubs or layers.\u003c\/p\u003e","brand":"DA","offers":[{"title":"Double Black Vinyl","offer_id":41458585796771,"sku":"DAV017","price":59.99,"currency_code":"AUD","in_stock":true},{"title":"CD (REMASTERED)","offer_id":11755111481380,"sku":"DA020","price":17.99,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0088\/1334\/6852\/products\/https___images.genius.com_9d58da39c8d8f2b32a5dadabd18d5a7e.500x500x1.jpg?v=1776388070"},{"product_id":"citizen-everybody-is-going-to-heaven","title":"Citizen - Everybody Is Going To Heaven","description":"\u003cmeta charset=\"utf-8\"\u003e\r\u003cp\u003eAlmost two years to the date of the release of their breakthrough album, Citizen return with their highly anticipated follow-up full-length, 'Everybody is Going to Heaven!'\u003c\/p\u003e\r\u003cp\u003eHaunting these ten songs is a foreboding, dark atmosphere masterfully crafted by producer Will Yip, and an immediate, intense energy is palpable from even the first grimy seconds of the opener, \"Cement.\"\u003c\/p\u003e\r\u003cp\u003eAs with every one of Citizen's releases, Mat Kerekes' signature vocal delivery here is a trademark feature, demonstrating the emotional tension that boils over on this release. As cathartic as ever, he duels between a soft croon and a haunting scream, confronting his demons on tracks like \"Stain\" echoing the tormented refrain, \"my heart still beats for nothing.\" And while most of the record is an intense and noisy onslaught, songs like \"Heaviside\" and \"Yellow Love\" act as armistices, each aching in reverb-drenched consonance.\u003c\/p\u003e\r\u003cp\u003e'Everybody is Going to Heaven' is a turning point for Citizen: once regarded as newcomers with undeniable potential, the band shows here that they have matured both abruptly and uniquely, with no end to their upward trajectory in sight.\u003c\/p\u003e\r\u003cmeta charset=\"utf-8\"\u003e1. Cement\u003cbr\u003e2. Dive Into My Sun\u003cbr\u003e3. Numb Yourself\u003cbr\u003e4. Heaviside\u003cbr\u003e5. My Favorite Color\u003cbr\u003e6. Weave Me (Into Yr Sin)\u003cbr\u003e7. Stain\u003cbr\u003e8. Ten\u003cbr\u003e9. Yellow Love\u003cbr\u003e10. Ring of Chain","brand":"RFC","offers":[{"title":"CD","offer_id":11755119247396,"sku":"CVCD038","price":19.99,"currency_code":"AUD","in_stock":false},{"title":"Vinyl","offer_id":41637169037475,"sku":"RFC131","price":54.99,"currency_code":"AUD","in_stock":false},{"title":"Eco Mix Vinyl","offer_id":46416765223143,"sku":null,"price":54.99,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0088\/1334\/6852\/products\/RFC131-600.jpg?v=1702350085"},{"product_id":"city-and-colour-if-i-should-go-before-you","title":"City And Colour - If I Should Go Before You","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e'If I Should Go Before You' is the anticipated album number 5 by City and Colour (Dallas Green). It is the follow up of the critically acclaimed 'The Hurry and The Harm,' and his recent collaboration with Alecia Moore (P!nk) 'rose ave.' by YOU+ME.\u003c\/p\u003e\n\u003cp\u003e\"There's a line that I'm trying to find, between the water and the open sky,\" sings Dallas Green on \"Friends,\" the penultimate track off of his fifth release as City and Colour, 'If I Should Go Before You.' For someone like Green, it's hard to imagine that there's much left to search for he's traversed the globe on tour, released numerous albums (one most recently as YOU+ME with Alecia Moore, aka P!nk) and collected scores of accolades. Though Green is a musician, he doesn't make a show of things: that's the songs' job. Thus he's done this all quietly, intentionally, still looking for the next answer or dog-eared chapter each record holds. And this time, on 'If I Should Go Before You,' he once again uncovered something new: a certain kind of family in his bandmates.\u003c\/p\u003e\n\u003cp\u003e\"It's been a very special two years for me,\" says Green, about the period since the release of 2013's The Hurry and the Harm, which has seen him touring with the consistent ensemble of Dante Schwebel (guitar: Dan Auerbach, Rumba Shaker), Doug MacGregor (drums: Constantines), Jack Lawrence (bass: The Raconteurs, Dead Weather) and multi-instrumentalist Matt Kelly. \"They inspired me to want to create new music, just to create it with them I don't think I wrote these songs for the band, per se, but I certainly wrote them because of the band.\"\u003c\/p\u003e\n\u003cp\u003eGreen had always been an introspective, solitary writer, demoing songs in his basement, working up every instrumental part by himself. But he considers If I Should Go Before You' to be a band record, where the input of these trusted comrades was of the up most importance. Even more pivotal was trying to capture the essence of their live show symbiosis in the studio; which comes through with an undeniable force. For a project that was very much about the inner world of Green, these relationships have morphed City and Colour into something with more emotive power than ever before: the layers go beyond just music and lyrics, into the people creating the songs themselves.\u003c\/p\u003e\n\u003cp\u003e\"Anybody who has seen us play will understand that this is the best representation of what we do live that we have ever recorded,\" says Green. \"I was so excited about being able to make and record an album with these guys that it just flowed. I felt so confident about their abilities to make all of my ideas come true.\" But there was one thing that Green did want to do himself this time: produce the record. He returned to Blackbird Studios in Nashville, where 'The Hurry And The Harm' was made, but decided to take the production reigns himself, with the help of friend Karl Bareham as his partner and engineer, along with the masterful mixing skills of Jaquire King (Dawes, Kings of Leon, Tom Waits). Everyone who had a hand in the making of the record was or became part of the City and Colour family. Green's songs have always had a striking, visceral feel that pumps through the veins like oxygen, and, this time, it became a sort of translatable DNA.\u003c\/p\u003e\n\u003cp\u003eAlong the way, Nashville has come to be a special refuge for Green it's a city he's gotten to know for several years now while not in his native Toronto, Canada, and he even recently purchased a home in the town. \"In Toronto, I think of what I have to do,\" he says. \"In Nashville, I think of everything I have done.\" Indeed, it's a perfect time to think of everything he has done - and If I Should Go Before You is a celebration\u003cbr\u003eof that. With instrumentation recorded live off the floor, it comprises every part of the person Green has become over the years: chugging ballads that tug at the gut, aching confessionals set to slicing guitars, little licks of pedal steel for his new southern-swept soul, moody distortion from punk rock roots. Though he's recorded in many incarnations, 'If I Should Go Before You' acts like a roadmap through all of them, showing that none of these were simply \"projects,\" but they were part of the same whole.\u003c\/p\u003e\n\u003cp\u003eThe album opens with the sweeping, \"Woman,\" a track that very well could be a surprise to those who might expect a simpler, acoustic-based entrance gate. At over nine minutes long, it's a sultry and dynamic ode to everlasting love expressed through a powerful, layered build of sounds and emotions like a complex sweep of watercolours percussive heartbeat, echoing riffs, Green's grounded yet ethereal falsetto. You can almost picture the stage lights spiral across a crowded auditorium; it moves with a life outside just the studio walls.\u003c\/p\u003e\n\u003cp\u003eRare does a record strike a perfect balance between the live sound and studio magic; but this is one of them, that captures the synchronicity of Green and the band at its best both at the controls and on stage, through songs like the deconstructed waltz of the title track, a devastating request to a cherished lover. \"It's about the idea of loving someone so much you want them to move on if you were to go, but loving them so much you wouldn't want to if they did,\" Green says. \"But, in my head, it also says, 'if I were to go, I give you this record to listen to.'\" It's a sentiment that expresses just how strongly he feels this album is a key to past, present and future. That's further evidenced in \"Friends, written as a heartfelt ode to his new musical family, set to a pedal steel that sounds like it's weathered too many winters, but finally feeling the melt; or the razor cuts of \"Wasted Love,\" where the confessions of a failed romance are echoed by licks of visceral guitar that plays in wordless response.\u003c\/p\u003e\n\u003cp\u003eOn 'If I Should Go Before You,' Green may have found one answer to what lies between the water and that open sky: it's the people we hold close, and the art born out of friendship. But he will always be searching; and thus, there will always be more songs. Though this time, when he's ready to share them again, he'll know exactly who to turn to.\u003c\/p\u003e\n\u003cp\u003eAs he sings on \"Northern Blues;\" \"I've got too much in front of me. I didn't leave enough behind.\"\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e2x180g 12\" Vinyl, 2x Euro-style Inner Sleeves, Tip-On style Gatefold, Digital Download Card.\u003c\/em\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e1. Woman\u003cbr\u003e2. Northern Blues\u003cbr\u003e3. Mizzy C\u003cbr\u003e4. If I Should Go Before You\u003cbr\u003e5. Killing Time\u003cbr\u003e6. Wasted Love\u003cbr\u003e7. Runaway\u003cbr\u003e8. Lover Came Back\u003cbr\u003e9. Map Of The World\u003cbr\u003e10. Friends\u003cbr\u003e11. Blood","brand":"DA","offers":[{"title":"Double Vinyl","offer_id":41637168480419,"sku":"DAV119","price":54.99,"currency_code":"AUD","in_stock":false},{"title":"CD","offer_id":11755121016868,"sku":"DA147","price":17.99,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0088\/1334\/6852\/products\/6b24df3cd0fb9cffbce7ba40e6d720ec.600x600x1.jpg?v=1776388875"},{"product_id":"alberta-cross-alberta-cross","title":"Alberta Cross - Alberta Cross","description":"Alberta Cross - led by lead singer and guitarist Petter Ericson Stakee - will release their third, self-titled album via Dine Alone Records on October 16th.\u003cbr\u003e\u003cbr\u003eCo-produced by Stakee and Claudius Mittendorfer (Johnny Marr, Kaiser Chiefs, Temples), the LP showcases new musical territories with vibrant horn sections weaved throughout the 12-track collection, while in addition Stakee re-explored the bands roots.","brand":"DA","offers":[{"title":"CD","offer_id":11755121770532,"sku":"DA149","price":14.99,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0088\/1334\/6852\/products\/https___images.genius.com_c0c96f9fc715218b6eb4f00c43a9cdd4.807x807x1.png?v=1565329129"},{"product_id":"baroness-purple","title":"Baroness - Purple","description":"\u003cmeta charset=\"utf-8\"\u003e\r\u003cp\u003e\u003cspan color=\"black\" style=\"color: black;\"\u003eBaroness return with their first new music in three years, as the band releases their fourth album, 'Purple,' their recently formed label, Abraxan Hymns.\u003c\/span\u003e\u003c\/p\u003e\r\u003cp\u003e\u003cspan color=\"black\" style=\"color: black;\"\u003e\"After releasing a lengthy and investigative record like Yellow \u0026amp; Green we all felt that we needed to make something much more direct and immediate,\" explains band founder and singer John Baizley of the approach behind 'Purple.'\u003c\/span\u003e\u003c\/p\u003e\r\u003cp\u003e\u003cspan color=\"black\" style=\"color: black;\"\u003eThe album was produced by Dave Fridmann (The Flaming Lips, MGMT) at Tarbox Road Studios in the secluded town of Cassadaga, New York. \"We wanted to write with our normal focus on artistry, balanced against an increased level of energy and focus. It was important for us to write our new songs with the type of enthusiasm and expressiveness that could act as a counterpoint to the album's dark themes.\u003c\/span\u003e\u003c\/p\u003e\r\u003cp\u003e\u003cspan color=\"black\" style=\"color: black;\"\u003eAs a result, the music came out in an intense, heavy and sonically captivating in a new way, which was important, loathe, as we are to fall into any kind of complacency pitfall or formulaic songwriting routine. 'Purple' is the most fully realized representation of our intention as a band; considering the amount of physical and mental energy spent writing it, we have accomplished something which would have seemed impossible to us a couple of years ago.\"\u003c\/span\u003e\u003c\/p\u003e\r\u003cp\u003e\u003cspan color=\"black\" style=\"color: black;\"\u003eIn late July, Baroness shared news that the release would come via their own label, dubbed Abraxan Hymns. Baizley discusses the band's move towards independence: \"We have been incredibly fortunate to work with a series of amazing labels, producers, management, crew members, etc., all of whom we not only consider a critical part of our development as musicians and performers but also our personal friends. After working for so long as a recording and touring band, it seemed like a no-brainer when the opportunity arose to start our own label.\"\u003c\/span\u003e\u003c\/p\u003e\r\u003cp\u003e\u003cspan color=\"black\" style=\"color: black;\"\u003eBaroness is John Baizley (guitar, vocals), Pete Adams (guitar, vocals), Nick Jost (bass, keyboards) and Sebastian Thomson (drums).\u003c\/span\u003e\u003c\/p\u003e","brand":"Civilians","offers":[{"title":"CD (Digipack)","offer_id":11755122360356,"sku":"CVCD047","price":14.99,"currency_code":"AUD","in_stock":true},{"title":"Double 180g Vinyl","offer_id":42341245485287,"sku":"857223004267","price":59.99,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0088\/1334\/6852\/products\/159521-L-LO.jpg?v=1565592735"},{"product_id":"creative-adult-fear-of-life","title":"Creative Adult - Fear Of Life","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eBay Area post punks Creative Adult announce their sophomore LP 'Fear of Life,' out on Run For Cover Records!\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eAfter many hiccups and delays and a painstaking half-year writing and recording, Creative Adult have put the finishing touches on their sophomore Run For Cover LP 'Fear of Life,' which exists somewhere between abstract art and pop music. During that time, the quintet vocalist Scott Phillips, guitarists Michael Bingham and Anthony Anzaldo, bassist Mike Fenton, and drummer James Rogers pieced together 15 songs in the studio, with only 9 making the final cut.\u003c\/p\u003e\n\u003cp\u003e\"We spent less time practicing songs over and over and more time just forming rough skeletons so when we went into the studio we had a ton of material to play with.\"\u003c\/p\u003e\n\u003cp\u003eThe album was recorded fully analog with instrumentation produced, engineered, and mixed by Jack Shirley (Deafheaven, Comadre, Punch) at The Atomic Garden in Palo Alto, California and vocals with RJ Phillips at Grizzley Studios in Petaluma, California.\u003c\/p\u003e\n\u003cp\u003eThe band likened making the record to building a house: everyone has a different preconceived notion of what each room in the house should be. During the recording process tensions built between members, as each had a different product in mind down to producer\/engineer Jack Shirley. Just when it seemed as though things were about to break, the band was able to put aside their differences and realize that the record was \"a house we're all living in.\"\u003c\/p\u003e\n\u003cp\u003eThe end result required Phillips to venture to a different studio with a new engineer to track the vocals, without the input of those he felt were previously clouding his vision. This separation of the various parties allowed everyone full creative input and the outcome turned out better than any of them could have possibly imagined.\u003c\/p\u003e\n\u003cp\u003eThe tracks on 'Fear of Life' were influenced by the likes of Oasis, Spaceman 3, and Explosions in the Sky and the songs two of which clock in at over eight minutes build slowly and are rife with texture and an emphasis on heavy guitars. The band's five members have known each other their entire adult lives, growing up playing in bands together and working together in a tailor shop, altering clothes for many years which resulted in the record's non-musical influences: \"Brutal Punishers, The San Francisco Bay, Design, Friendships and Awkward Conversations.\" Each song's lyrics were treated as \"an attempt to delineate how it feels to be alive at the moment with respect to all emotions.\"\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e1. Connected\u003cbr\u003e2. I Can Love\u003cbr\u003e3. Moving Window\u003cbr\u003e4. Know Who\u003cbr\u003e5. Interlude\u003cbr\u003e6. Charged\u003cbr\u003e7. Reality Tunnel\u003cbr\u003e8. Heal\u003cbr\u003e9. 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